मुक्तिबादबिचारः (Muktivādavicaraḥ)

This book is an essay on Nyāya theory of liberation. Harirāma Tarkavāgīśa, in this book, critically assesses the generally accepted definition of liberation as permanent (ātyantika) cessation (nivṛtti) of suffering (duhkha). The debate revolves around explaining the terms like ‘atyanta’ and ‘nivṛtti’. Harirama argues that the widely accepted understanding of these words fails to cover all the different kinds of liberation that philosophers talk about. Harirama proposes to describe liberation as the destruction of final suffering and the idea of finality could be understood as a universal inhering in suffering. Harirama argues that if knowledge of reality is to be regarded as the cause of liberation, then liberation is to be regarded as the permanent post-negation of sin and not of misery.

নদিয়ার ইতিহাস- চর্চা (Nadiyar Itihas Carca)

This book is a collection of essays on varieties of aspects of life in Nadia, presently a district in West Bengal, India. Since once upon a time Navadvipa was the main centre of Nadia, and later Krisnanagar became the capital from where the ruler ruled his kingdom including Navadvipa, much of the history of Navadvipa is closely associated with the history of  Nadia. This book is divided into five chapters. In the first chapter, the essays focus on the different archaeological sites found in Nadia and bring to light their historical importance. The second chapter focuses on the rivers, waterways and road transport of Nadia. In the third chapter, the essays highlight the importance of the local festivals and the contribution of logical artisans with special reference to weavers. The essays in the fourth chapter take note of the contribution of the musicians and theatre personalities of Nadia. The book ends with a chapter containing articles on different religious and political movements that took place in Nadia.

প্রস্থানভেদঃ (Prasthānaveda)

The present work is a commentary by Madhusudana Saraswati on a part of Śivamahimāstotra (Hymns to the glory of Śiva) written by Puṣpadanta. In this commentary, Madhusudana talks about eighteen disciplines of knowledge. All the āstika and nāstika systems of knowledge could be included in the eighteen disciplines and all these systems of knowledge, either directly or indirectly, aimed at determining the nature of god. According to Madhusudana, even the philosophy of art written by Bharata aims at worshiping god. Madhusudana argues that one could talk about three fundamental prasthānas viz. ārambhavāda, parināmavāda and vivartavāda. We start our intellectual journey from ārambhavāda and then through pariṇāmavāda reach vivartavāda. It is only in vivartavāda that one realizes that the world is a vivarta of Brahmaṇ. The varieties of prasthānas have been created only to cater to the needs of people of various inclinations.

शब्दशक्तिप्रकाशिका (Śabdaśaktiprakāśikā (Vol-3))

The third volume of Śabdaśaktiprakāśikā contains an analysis of samāsa. The book starts with a presentation and analysis of the definition of samāsa in general. Jagadīśa distinguishes nitya samāsa from anitya samāsa. The present work contains an analysis of six kinds of samāsa, viz, 1. Dvigu, 2. Tatpuruṣa, 3. Avyaībhāva, 4. Bahubrīhi, 5. Dvandva. The author accepts another samāsa viz. Upapada. The Grammarians hold that the vigraha vākya and the samasta vākya do not have the same śakti and so the nature of understanding the meaning of the vigraha vākya does not amount to understanding the meaning of the samāsa. Jagadīśa refutes this view of the Grammarian and argues that both the vigraha vākya and the samāsa do possess the same meaning. While the traditional Pāṇinian grammar includes karmadhārāya samāsa in tatpuruṣa samāsa and dvigu samāsa in karmadhāraya samāsa, the Katantra Grammar includes dvigu samāsa in tatpuruṣa samāsa. Jagadīśa intervenes in this debate and holds that karmadhāraya and dvigu are independent samāsas and so he thinks that there are six kinds of samāsas viz. tatpuruṣa, avyaībhāva, bahubrīhi, dvandva, karmadhārāya and dvigu. In this book one finds a detailed analysis of all these six kinds of samāsa. Even if Jagadīśa does not accept upapada samāsa as an independent samāsa, still he offers an analysis of upapada samāsa on behalf of those who accept upapada samāsa.

নবদ্বীপের ইতিহাস ও সংস্কৃতি (Navadviper Itihas O Samskriti)

This work is a historical study of Navadvipa. The present work consists of eleven chapters. The first chapter serves as an introduction to the history of Navadvipa. The second chapter devotes itself to the geographical location of Navadvipa. The third chapter takes note of the Buddhist influence. In the fourth chapter, there is a survey of historical studies done on Navadvipa. The cultural movements in Navadvipa constitute the fifth chapter. The history of old temples and monasteries in Navadvipa is the focus of the sixth chapter. The rule of Krishnachandra is the point of discussion in the seventh chapter. The eighth chapter describes the education scenario in Navadvipa. The debate concerning the birthplace of Chaitanya Deva forms the major part of the discussion in the ninth chapter. In the tenth chapter, one finds a description of crematoriums and graveyards in Navadvipa. The last chapter refers to some historical studies on Navadvipa already done. This book contains some ancient maps and pictures of the old temples of Navadvipa.

মহামনিষী জগন্নাথ তর্কপঞ্চানন (Mahamanisi Jagannath Tarkapanchanan)

This is a short biography of Jagannatha Tarkapancanan written by Alok Kumar Chakravarti. This biography locates Jagannatha in the larger context of Sanskrit Studies in Bengal during the colonial period. His scholarship on different aspects of Hindu society, especially on the Smriti sastra has been explained in detail.