নদিয়ার সংস্কৃতি চর্চা (Nadiyar Samskriti Carca)

The present book contains several essays on the history of Nadia. Some of the essays focus on the history and archaeological importance of Nadia. Some other essays focus on the cultural activities in Navadvipa. There are some other essays that describe the literacy and library in Nadia. Folk theaters (jātrā) and modern theaters in Nadia have also been talked about in some essays.

शक्तिबाद (Śaktivādaḥ)

In this book, Gadādhara Bhattāchārya presents a theory of the meaning of words. This work is divided into three chapters: 1. Sāmānyakāṇḍa, 2. Viśesakāṣḍa and 3. Pariśiṣtakāṇḍa. In Sāmānyakaṇḍa, the author undertakes a detailed analysis of vṛtti of words. Here one comes across a definition of śakti in terms of which a word denotes its meaning. The theory of anvitābhidhāna has been refuted. In the Viśeṣakaṇḍa, the author undertakes an analysis of the meaning of words denoting an individual and the meaning of the words denoting a universal. Prabhākara theory of meaning has been refuted. This chapter contains an analysis of indexicals and demonstratives. The third chapter viz. Pariśiṣtakaṇḍa contains a defence of the view that the śakti of a word lies in the individual that is qualified by the corresponding universal. Views of several Mīmāṃsaka philosophers have been critically assessed.

शब्दशक्तिप्रकाशिका (Śabdśaktiprakāśikā)

Śabdaśaktiprakāśikā contains six chapters: 1. Nāmaprakaraṇa, 2. Samāsaprakaraṇa, 3. Supvibhaktiprakaraṇa, 4. Kārakaprakaraṇa, 5. Akhyātaprakaraṇa, 6. Taddhitaprakaraṇa.  The present volume contains two commentaries on Śabdaśaktiprakāśikā viz. . Kriśnakānti commentary by Krisnakānta Vidyāvāgīśa and Pravbodhinī commentary by Rāmabhadra Siddhāntavāgīśa.

প্রস্থানভেদঃ (Prasthānaveda)

The present work is a commentary by Madhusudana Saraswati on a part of Śivamahimāstotra (Hymns to the glory of Śiva) written by Puṣpadanta. In this commentary, Madhusudana talks about eighteen disciplines of knowledge. All the āstika and nāstika systems of knowledge could be included in the eighteen disciplines and all these systems of knowledge, either directly or indirectly, aimed at determining the nature of god. According to Madhusudana, even the philosophy of art written by Bharata aims at worshiping god. Madhusudana argues that one could talk about three fundamental prasthānas viz. ārambhavāda, parināmavāda and vivartavāda. We start our intellectual journey from ārambhavāda and then through pariṇāmavāda reach vivartavāda. It is only in vivartavāda that one realizes that the world is a vivarta of Brahmaṇ. The varieties of prasthānas have been created only to cater to the needs of people of various inclinations.

मुक्तिबादबिचारः (Muktivādavicaraḥ)

This book is an essay on Nyāya theory of liberation. Harirāma Tarkavāgīśa, in this book, critically assesses the generally accepted definition of liberation as permanent (ātyantika) cessation (nivṛtti) of suffering (duhkha). The debate revolves around explaining the terms like ‘atyanta’ and ‘nivṛtti’. Harirama argues that the widely accepted understanding of these words fails to cover all the different kinds of liberation that philosophers talk about. Harirama proposes to describe liberation as the destruction of final suffering and the idea of finality could be understood as a universal inhering in suffering. Harirama argues that if knowledge of reality is to be regarded as the cause of liberation, then liberation is to be regarded as the permanent post-negation of sin and not of misery.

The Padārthatattva-Nirūpaṇam (পদার্থতত্বনিরুপনম)

The present book, written by Raghunātha Śiramaṇi and translated and explained in Bengali by Madhusudan Bhattacharya,  is an attempt to present his views on the metaphysical categories generally accepted in the Nyāya-Vaiśeṣika tradition. Raghunātha, of course, refutes some of the categories accepted by earlier Nyāya-Vaiśeṣika philosophy. He even does not hesitate to accept some of the views of the Mīmāṁsā philosophy, thereby going against his own tradition.