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Sāraswata-Śatakam (Citra-Kavyam) सारस्बत – शतकम
Saraswatakam is a chitrakāvya written by Srijiva Nyāyātirtha. The genre of Chitrakāvya is a unique example of the marriage of literature and picture. In this work, the letters are written and the consequent verses are composed in such a manner, that a specific picture arises in the mind of the reader. The author composed the verses expressing different emotions and gave corresponding drawings containing the alphabet that the verses contain.
নবদ্বীপের ইতিহাস ও সংস্কৃতি (Navadviper Itihas O Samskriti)
This work is a historical study of Navadvipa. The present work consists of eleven chapters. The first chapter serves as an introduction to the history of Navadvipa. The second chapter devotes itself to the geographical location of Navadvipa. The third chapter takes note of the Buddhist influence. In the fourth chapter, there is a survey of historical studies done on Navadvipa. The cultural movements in Navadvipa constitute the fifth chapter. The history of old temples and monasteries in Navadvipa is the focus of the sixth chapter. The rule of Krishnachandra is the point of discussion in the seventh chapter. The eighth chapter describes the education scenario in Navadvipa. The debate concerning the birthplace of Chaitanya Deva forms the major part of the discussion in the ninth chapter. In the tenth chapter, one finds a description of crematoriums and graveyards in Navadvipa. The last chapter refers to some historical studies on Navadvipa already done. This book contains some ancient maps and pictures of the old temples of Navadvipa.
A Study in the Dialectical of Sphoṭa
Gaurinatha Sastri, in this book, deals with the idea of sphoṭa as one finds in the Grammarian Tradition in classical Indian philosophy. The book contains four chapters: 1. Nyāya and Mīmāṃsā objections to the idea of sphoṭa, 2. The views of Kumārila, Śabara and Jayanta on sphoṭa. 3. Classification of Sphoṭa and 4. Authority of Āgama on sphoṭa.
Darśana Manīṣā Categories
शब्दशक्तिप्रकाशिका (Śabdaśaktiprakāśikā (Part-1))
In this book Jagadīa Tarkālaṃkāra presents a detailed analysis of various aspects of śabdapramāṇa from the perspective of Navya-Nyāya. The book starts with a critical assessment of the views of Vaiśeṣika and Mīmāṃsaka philosophers with regard to the veridicality of śabda as a pramāṇa. This is followed by a discourse on the nature of meaningful words, the nature of prākṛti, pratya, nipāta. A definition of a sentence is formulated. The relation between word and meaning in its different aspects has been presented. The book ends with a discussion on the nature and different kinds of samāsa.
বাঙালির সারস্বত অবদান: বঙ্গে নব্যন্যায়চর্চা (Bangalir Saraswat Avadan: Bange Navyanyaya Charcha)
This is perhaps the most authentic history of Navya-Nyāya scholarship in Bengal with special emphasis on Navadvipa. In this book, the author presents a detailed description of the biographies and the works of the philosophers of Navadvipa. The author divides his work in the following chapters: 1. The Pre-Śiromaṇī age, 2.Raghunātha Śiromaṇī, 3. Bengali Commentators on Śiromaṇī, 4. The Post-Gadādhara Era, 5. Bengali Naiyāyikas in Kāśidhāma, 6. Nyaya Schools of Bengal. The author, with sufficient historical evidence, determines the time of many of the Navya-Nyāya scholars and he also proposes his views on the authorship of many of the Navya-Nyāya commentaries.
ध्ब्मसजन्यभावयो: कार्यकारणभावरहस्यम् (Dhvaṃsa- Janyabhāvayoḥ Kārya-Kāraṇabhāvarahasyam)
In this essay, Harirama Tarkavagisa undertakes an analysis of the nature of the causal relationship between a positive effect and destruction. The author examines the nature of the inference viz. Dhvaṃsa is due to vināśa. If one takes into consideration this inference, there must be a hetu here and the hetu could be said to have an upadhi viz. Bhāvatva. Harirama, in this context, presents different ways of formulating the causal relation. The author ends this essay by concluding that the positive effect (janyabhāva) could be said to be the cause of destruction (dhvaṃsa) through the relation of pratiyogitva.
क्रोड्पत्त्रसंग्रहः (Krodapattrasangraha or Critical Notes)
This book is a collection of short essays by Kāliśankara Siddhāntavāgīsa on different issues in Navya-Nyāya. The essays in the present collection include discourses on Gadādhara’s theory of Prāmāṇya, 2. Gadādhara’s theory of Anumāna, 3. On Vyāptipañcaka, 4. On Siṅhavyāghralakṣaṇa, 5. Gadādhara’s theory of Vyādhikaraṇa, 6. On the Siddhāntalakṣaṇa, 7. Gadādhara’s theory of Anugama of Vyāpti, 8. Gadādhara’s theory of Pakṣatā, 10. Gadādhara’s theory of Avayava, 11. Gadādhara’s theory of Sāmānyanirukti, 12. On Savyabhicara, 13. On Sādharaṇa, 14. On Asādharaṇa and 15. On Satpratipakṣa.
নবদ্বীপ মহিমা (Nabadwip Mahima)
This book is perhaps the first attempt to portray the detailed history of Navadvipa. The author starts the discourse with the history of the name ‘Navadvipa’ along with a description of the relation of Navadvipa to the rest of Bengal during the ancient period. The second part of the book contains a detailed description of the scholars of Navadvipa who worked on Navya-Nyāya, Smṛti, and Tantra. In the third chapter, one finds an elaborate presentation of Sri Chaitanya’s biography along with a discussion on Vaishnava religion. Since Navadvipa was ruled by the king of Krishnagar for a long time, there is a discussion on the rulers of Krishnagar, their contribution to the Navadvipa scholarship as patrons. The author also adds a discussion on the famous musicians, eminent persons trained in English education and business persons of Navadvipa.
BROWSE BY LANGUAGE
Introduction To The Purva Mīmāṃsā
The book, while offering an introduction to Purva-Mīmāṃsā, is divided into three chapters, each chapter divided into several sections. The first chapter contains a general discussion on the nature of darśana, on the general significance of Purva-Mīmāṃsā and Uttara-Mīmāṃsā including both the schools of Kumarila and Prabhākara. Chapter two contains a discussion on pramā and pramāṇa in Mīmāṃsā philosophy. In chapter three, one finds discourse on the nature of Ātman, God and liberation. The last part of the book contains a discussion on the relationship between Mīmāṃsā maxims and Hindu Law.
On the Dramatic System of The Hindus
Of the Dramatic System of the Hindus is a short treatise on the salient features of classical Sanskrit Drama. Horace Hayman Wilson divides the book into eight chapters starting with a description of the authorities of the Hindu dramatic system and ending with a description of the scientific apparatus.
Cultural Otherness and Beyond
Cultural Otherness and Beyond is a collection of essays on philosophy of culture. This volume is edited by Chhanda Gupta and D.P.Chattopadhyaya. There are eleven essays in this volume, all dealing with the very idea of culture and nature of understanding a culture. This brings in the idea of exchange among different cultures where the concept of other plays an important role.
The Concept of Philosophy
The present book, written by Nikunja Vihari Banerjee, is an attempt to formulate the very idea of philosophy mainly banking on the philosophy of K.C.Bhattacharyya. The book is divided into six chapters: 1. Introduction, 2. Philosophy and Science, 3. The Epistemological Background, 4. Empirical Thought and Philosophical Thought, 5. What then is Philosophy? and 6. Conclusion. The author presents K.C.Bhattacharya’s idea of philosophy as distinct from science and elaborates on the concept of philosophy as an independent spiritual activity.
Heteroclitic Fragments and Heretical Comments
This book is a collection of six essays written by A.P.Rao. All the essays offer the author’s own views on some of the issues that have been dealt with in recent Logic and Metaphysics. The book starts with an essay on Leibnitz. The author articulates his own understanding of some of the logical problems attended to by Russell and Wittgenstein. Also, there are discussions on views on ontology expressed by Quine.
Ancient Indian Erotics and Erotic Literature
Ancient Indian Erotics and Erotic Literature by Sushil Kumar De is a work on the nature of erotic literature in ancient India. The book consists of chapters: 1. Treatment of Love in Pre-Classical Literature, 2. Treatment of Love in Classical Poetry and 3. Treatment of Love in Prose Romance and Drama. The book ends with a chapter on Ancient Indian Erotics (Kama-Sastra).