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A Study in the Dialectical of Sphoṭa
Gaurinatha Sastri, in this book, deals with the idea of sphoṭa as one finds in the Grammarian Tradition in classical Indian philosophy. The book contains four chapters: 1. Nyāya and Mīmāṃsā objections to the idea of sphoṭa, 2. The views of Kumārila, Śabara and Jayanta on sphoṭa. 3. Classification of Sphoṭa and 4. Authority of Āgama on sphoṭa.
Sāṃkhyadarśan সাংখ্যদর্শন
This book, written by Bhupendranath Bhattacharya, is a detailed presentation of the main features of Sāṃkhya philosophy. There are seven chapters in the book that contain discussions on Saṃkhya theory of pramāṇa, Sāṃkhya theory of god, Sāṃkhya theory of causation, Sāṃkhya theory of guṇa, Sāṃkhya theory of prakṛti, Sāṃkhya theory of puruṣa, Sāṃkhya theory of mahat-tattva, Sāṃkhya theory of subtle body, Sāṃkhya theory of bhautika sarga, Sāṃkhya theory of pralaya, Sāṃkhya theory of liberation respectively.
Introduction To The Purva Mīmāṃsā
The book, while offering an introduction to Purva-Mīmāṃsā, is divided into three chapters, each chapter divided into several sections. The first chapter contains a general discussion on the nature of darśana, on the general significance of Purva-Mīmāṃsā and Uttara-Mīmāṃsā including both the schools of Kumarila and Prabhākara. Chapter two contains a discussion on pramā and pramāṇa in Mīmāṃsā philosophy. In chapter three, one finds discourse on the nature of Ātman, God and liberation. The last part of the book contains a discussion on the relationship between Mīmāṃsā maxims and Hindu Law.
Vaibhāṣika Darśaṇ বৈভাষিক দর্শন
The present book contains a detailed presentation of the main philosophical ideas of Vaibhaṣika school of Buddhism. The book is in two volumes. The first volume has the following chapters: 1. Introducing Sarvāstivāda, 2. Determining the asamskṛta qualities, 3, Rupaskandha, 4. Determining momentariness, 5. Hetuphalābhāva, 6. Citta cittasāmānya, 7. Pratītyasamutpada, 8. Refutation of God, 9. Avayavaikhnaḍana and 10. Anasrava samskṛta dharma. The second volume contains the following chapters: 1. Pramāṇa, 2. Pratyakṣa and 3, Anumāna.
Kalidaser Granthavali (Volume-2) কালিদাসের গ্রন্থাবলী
Darśana Manīṣā Categories
शब्दशक्तिप्रकाशिका (Śabdaśaktiprakāśikā (Part-1))
In this book Jagadīa Tarkālaṃkāra presents a detailed analysis of various aspects of śabdapramāṇa from the perspective of Navya-Nyāya. The book starts with a critical assessment of the views of Vaiśeṣika and Mīmāṃsaka philosophers with regard to the veridicality of śabda as a pramāṇa. This is followed by a discourse on the nature of meaningful words, the nature of prākṛti, pratya, nipāta. A definition of a sentence is formulated. The relation between word and meaning in its different aspects has been presented. The book ends with a discussion on the nature and different kinds of samāsa.
নদিয়ার সংস্কৃতি চর্চা (Nadiyar Samskriti Carca)
The present book contains several essays on the history of Nadia. Some of the essays focus on the history and archaeological importance of Nadia. Some other essays focus on the cultural activities in Navadvipa. There are some other essays that describe the literacy and library in Nadia. Folk theaters (jātrā) and modern theaters in Nadia have also been talked about in some essays.
क्रोड्पत्त्रसंग्रहः (Krodapattrasangraha or Critical Notes)
This book is a collection of short essays by Kāliśankara Siddhāntavāgīsa on different issues in Navya-Nyāya. The essays in the present collection include discourses on Gadādhara’s theory of Prāmāṇya, 2. Gadādhara’s theory of Anumāna, 3. On Vyāptipañcaka, 4. On Siṅhavyāghralakṣaṇa, 5. Gadādhara’s theory of Vyādhikaraṇa, 6. On the Siddhāntalakṣaṇa, 7. Gadādhara’s theory of Anugama of Vyāpti, 8. Gadādhara’s theory of Pakṣatā, 10. Gadādhara’s theory of Avayava, 11. Gadādhara’s theory of Sāmānyanirukti, 12. On Savyabhicara, 13. On Sādharaṇa, 14. On Asādharaṇa and 15. On Satpratipakṣa.
নদিয়া চর্চা (Nadiya Charcha)
The present work is a collection of essays on the history of Nadia. The book is divided into four chapters. The first chapter contains essays on the historical and archaeological importance of Nadia. The second chapter consists of articles focussing on the local religious, political and cultural events in Nadia. The third chapter consists of essays focussing on the sports events and cultural events in Nadia. The last chapter has essays referring to the debate concerning the birthplace of Chaitanyadeva.
शब्दशक्तिप्रकाशिका (Śabdaśaktiprakāśikā (Vol-1))
Śabdaśaktiprakāśikā is an important text written by Jagadīśa Tarkālaṃkāra containing an analysis of śabda pramāna following the Navya-Nyāya tradition. This work is a defence of many of the theses of Gaṅgeśa, the author of Tattvacintāmaṇi. In many places, the views of Bhatṛhari and Srīpatidatta, the author of Kalapa-pariśiṣta, have been critically assessed and defended. The author offers a detailed analysis of how the knowledge of the meaning of a sentence is generated through the presence of the elements like ākāṁṣkā, yogyatā and āsatti. Since the meaning of a word is defined in terms of śakti, a question arises with regard to the locus of śakti. Bhāṭṭa Mīmāṁsakas hold that śakti stays in the universal. Jagadīśa refutes this thesis of the Mīmāṁsakas. The author also refutes the thesis that the locus of śakti is the individual object, a view that is propagated by Raghunātha Śiromaṇi. Jagadīśa defends the view that combines both the insights that the locus of śakti is the individual object and the locus of śakti is the universal. In this book, Jagadīśa presents an analysis of the nature of lakṣanā. In this work we also find an analysis of how ākaṁkṣā, yogyatā and āsatti could be treated as the cause of understanding the meaning of a sentence. Jagadīśa, however, refutes the view that the knowledge of tātparya is the cause of understanding the meaning of a sentence, instead proposes the view that prakaraṇajñāna is the cause of understanding the meaning of a sentence. Thus in the present work the author, after defending śabdapramāṇa as an independent pramāṇa, offers his analysis of the ways of generating linguistic understanding.
जागदीशीव्याधिकरणम् (Jāgadīśvyādhikaraṇam)
This is a prakaraṇa text on the Nyāya theory of vyāpti written by Jagadīśa. The main theme of the work centres around the nature of vyāpti.Knowledge of vyāpti is the cause of inferential knowledge. If the definition of vyāpti is constructed in terms of avyābhicāritatva, then one could explain avyābhicāritatva in five alternative ways. And none of these alternatives is acceptable, for this understanding of vyāpti would fail to account for kevalānvayi inference. In order to remove this problem, the definition of vyāpti is reconstructed as pratiyogivṛttidharmāvacchinna-pratiyogitākabhāvarupa vyādhikaraṇadharmāvacchinnabhāva. Jagadīśa examines this new definition of vyāpti and offers his justification, refuting all the possible objections.
Nāgānanda
Nāgānanda is an English translation along with explanatory notes on the drama Nāgānanda written by Harshadev. Asha Toraskar and N.A.Deshpande, editors and translators, offer a brief analysis of the contribution of Harshadeva in their introduction. A commentary written in Sanskrit, on Nāgānanda, by M.R. Kale has also been added to this book.
Ancient Indian Erotics and Erotic Literature
Ancient Indian Erotics and Erotic Literature by Sushil Kumar De is a work on the nature of erotic literature in ancient India. The book consists of chapters: 1. Treatment of Love in Pre-Classical Literature, 2. Treatment of Love in Classical Poetry and 3. Treatment of Love in Prose Romance and Drama. The book ends with a chapter on Ancient Indian Erotics (Kama-Sastra).
Kiratarjunuyam (Canto-II)
Kiratarjuniyam is an English rendering and explanation of the second canto of Kiratarjuniyam written by Bharavi. Saradaranjan Ray, the editor of the book, has added Mallinatha’s commentary along with its translation in English. The book also contains a Bengali translation of the second canto of the original Sanskrit text.
Sanskrit Poetics as a Study of Aesthetic
Sanskrit Poetics as a Study of Aesthetics is a collection of lectures given by S.K.De at the University of Chicago. The book contains five chapters called 1. Introduction, 2. The Problem of Poetic Expression, 3. The Poetic Imagination, 4. Aesthetic Enjoyment and 5. Creation and Recreation. All these chapters deal with different aspects of classical Sanskrit aesthetic theories.