FEATURED PUBLICATIONS
Sri Sri Gouriya-Vaiṣṇava-Avidhāna (Volume- 2,3,4) শ্রীশ্রীগৌড়ীয়-বৈষ্ণব-অভিযান
Sri Sri Gaudiya-Vaisnava Abhidhan is a dictionary of all the important names and terms in the history of Gaudiya-Vaisnava philosophy. This book consists of four volumes. The first volume contains Sanskrit names and those names that are directly derived from Sanskrit. The second volume contains terms that are used in the bhakti literature known as padavali sahitya. The third volume contains names of all the persons who were close to Sri Chaitanya Deva and who contributed to the propagation of Gaudiya-Vaisnava philosophy. The fourth volume contains the names and significance of the different pilgrim centres. Presently we have the second, third and fourth volumes with us.
Asam O Bangadeser Vivaha Paddhati আসাম ও বঙ্গদেশের বিবাহ-পদ্ধতি
Assam o bangodeser vivaha paddhati, written by Bijaybhushan Ghosh-Chaudhuri, is a detailed study of the wedding rituals of the people in Assam and Bengal. This book contains thirty-eight chapters. In the course of these chapters, the author presents details of the wedding rituals of the smaller communities located in different regions of Assam and Bengal. All these rituals have been presented and analyzed in the background of the prescriptions made in the Smrti sastras. There is a chapter devoted to the prescription and prohibition of widow remarriage as found in the ancient texts and in the rituals prevalent in Assam and Bengal.
Darśana Manīṣā Categories
मुक्तिबादबिचारः (Muktivādavicaraḥ)
This book is an essay on Nyāya theory of liberation. Harirāma Tarkavāgīśa, in this book, critically assesses the generally accepted definition of liberation as permanent (ātyantika) cessation (nivṛtti) of suffering (duhkha). The debate revolves around explaining the terms like ‘atyanta’ and ‘nivṛtti’. Harirama argues that the widely accepted understanding of these words fails to cover all the different kinds of liberation that philosophers talk about. Harirama proposes to describe liberation as the destruction of final suffering and the idea of finality could be understood as a universal inhering in suffering. Harirama argues that if knowledge of reality is to be regarded as the cause of liberation, then liberation is to be regarded as the permanent post-negation of sin and not of misery.
Gadādhara’s Theory of Objectivity Viṣayatāvāda (Part-One)
In this volume, Sibajiban Bhattacharyya presents an analysis of the fundamental concepts in Navya-Nyāya. The themes that have been discussed in this book are 1. Navya-Nyāya theory of Relation, Being in Aristotle and Navya-Nyāya, Navya-Nyāya theory of universals, Navya-Nyāya theory of abstraction, Navya-Nyāya theory of definition, Navya-Nyāya theory of causation, Comparative analysis of Frege and Gadādhara.
প্রস্থানভেদঃ (Prasthānaveda)
The present work is a commentary by Madhusudana Saraswati on a part of Śivamahimāstotra (Hymns to the glory of Śiva) written by Puṣpadanta. In this commentary, Madhusudana talks about eighteen disciplines of knowledge. All the āstika and nāstika systems of knowledge could be included in the eighteen disciplines and all these systems of knowledge, either directly or indirectly, aimed at determining the nature of god. According to Madhusudana, even the philosophy of art written by Bharata aims at worshiping god. Madhusudana argues that one could talk about three fundamental prasthānas viz. ārambhavāda, parināmavāda and vivartavāda. We start our intellectual journey from ārambhavāda and then through pariṇāmavāda reach vivartavāda. It is only in vivartavāda that one realizes that the world is a vivarta of Brahmaṇ. The varieties of prasthānas have been created only to cater to the needs of people of various inclinations.
प्रामाण्यवाद: (Prāmāṇyavādaḥ)
In this book, Harirama Tarkavagisa critically assesses the Mīmāṃśa theory of self-luminosity of knowledge. According to Prabhākara, the knower, the object of knowledge and the knowledge itself are apprehended in one go. The Bhaṭṭa Mīmāṃsakas hold that knowledge is inferred through a property called knownness. Murāri Miśra, another Mīmāṃsaka philosopher, holds that knowledge is known in a subsequent knowledge called introspection. Harirāma, following the footsteps of Gaṅgeśa, argues that since sometimes doubt regarding the validity of knowledge arises in the third moment after the origin of knowledge, the validity of the knowledge is apprehended by something other than the totality of the causal conditions of that knowledge. Harirama further argues that there is something wrong with the thesis that knowledge is self-luminious.
अवच्छेदकत्वनिरुक्ति: (Avacchedakattvaniruktiḥ)
In this book, Jagadīśa offers commentary on the nature of vyāpti as mentioned by Raghunatha Śiromaṇī in his Didhīti. Jagadīśa talks about two kinds of vyāpakatva in great detail. In this context, Jagadīśa alludes to the concept of avacchedakata and explains these allaying all the possible questions that one could raise in this context.
शब्दशक्तिप्रकाशिका (Śabdśaktiprakāśikā)
Śabdaśaktiprakāśikā contains six chapters: 1. Nāmaprakaraṇa, 2. Samāsaprakaraṇa, 3. Supvibhaktiprakaraṇa, 4. Kārakaprakaraṇa, 5. Akhyātaprakaraṇa, 6. Taddhitaprakaraṇa. The present volume contains two commentaries on Śabdaśaktiprakāśikā viz. . Kriśnakānti commentary by Krisnakānta Vidyāvāgīśa and Pravbodhinī commentary by Rāmabhadra Siddhāntavāgīśa.
BROWSE BY LANGUAGE
Sanskrit Poetics as a Study of Aesthetic
Sanskrit Poetics as a Study of Aesthetics is a collection of lectures given by S.K.De at the University of Chicago. The book contains five chapters called 1. Introduction, 2. The Problem of Poetic Expression, 3. The Poetic Imagination, 4. Aesthetic Enjoyment and 5. Creation and Recreation. All these chapters deal with different aspects of classical Sanskrit aesthetic theories.
On the Dramatic System of The Hindus
Of the Dramatic System of the Hindus is a short treatise on the salient features of classical Sanskrit Drama. Horace Hayman Wilson divides the book into eight chapters starting with a description of the authorities of the Hindu dramatic system and ending with a description of the scientific apparatus.
An Introdution to Classical Sanskrit
An Introduction to Classical Sanskrit is a brief introduction to classical Sanskrit Literature. The book, authored by Gaurinatha Shastri, contains twenty-two chapters other than an Appendix. All the different chapters highlight the contribution of Ancient Indians in the fields like philosophy, literature, science etc. The Appendix describes the status of Sanskrit studies in Europe.