FEATURED PUBLICATIONS
The Brahmasūtra – Śāṅkarabhāṣya: Bhāmatī (Volume-1) ব্রহ্মসূত্র – শাঙ্করভাষ্য ভামতী (১ম খন্ড)
This book is a detailed Bengali translation and explanation of the Bhāmatī commentary on Saṅkarāchārya’s commentary, written by Srimohan Bhattacharya. Vācaspati Miśra is the author of Bhāmatī commentary. During the course of the explanation, Srimohan Bhattacharya highlights the views held by the author of Bhāmatī as different from another commentarial tradition of Advaita Vedānta, viz. the Vivaraṇa school. The Bhāmatī commentator defends his interpretation of some of the fundamental concepts of Advaita Vedānta viz. the nature of the discourse on Brāhman, the nature of svādhyāya, refutation of Śabdaparikṣāvāda, the nature of the individual jīva, the locus of ajñāna, etc. This is a fine example of intra-school philosophical debate that could be found in many other classical Indian philosophical systems.
Japasutram (Volume-1)
This book, written by Pratyagatmananda Saraswati, is an original work written in Sanskrit and explained in Bengali, containing his views on different aspects of ancient Indian philosophy and religion. In this volume, one finds discussion on the nature of words, the nature of the origin of the creation etc.
Darśana Manīṣā Categories
Gadādhara’s Theory of Objectivity Viṣayatāvāda (Part-One)
In this volume, Sibajiban Bhattacharyya presents an analysis of the fundamental concepts in Navya-Nyāya. The themes that have been discussed in this book are 1. Navya-Nyāya theory of Relation, Being in Aristotle and Navya-Nyāya, Navya-Nyāya theory of universals, Navya-Nyāya theory of abstraction, Navya-Nyāya theory of definition, Navya-Nyāya theory of causation, Comparative analysis of Frege and Gadādhara.
प्रामाण्यवाद: (Prāmāṇyavādaḥ)
In this book, Harirama Tarkavagisa critically assesses the Mīmāṃśa theory of self-luminosity of knowledge. According to Prabhākara, the knower, the object of knowledge and the knowledge itself are apprehended in one go. The Bhaṭṭa Mīmāṃsakas hold that knowledge is inferred through a property called knownness. Murāri Miśra, another Mīmāṃsaka philosopher, holds that knowledge is known in a subsequent knowledge called introspection. Harirāma, following the footsteps of Gaṅgeśa, argues that since sometimes doubt regarding the validity of knowledge arises in the third moment after the origin of knowledge, the validity of the knowledge is apprehended by something other than the totality of the causal conditions of that knowledge. Harirama further argues that there is something wrong with the thesis that knowledge is self-luminious.
पक्षताप्रकरणम् (Pakṣtā Prakaraṇam)
In this book Jagadśa undertakes a study of the concept of pakṣatā. Pakṣatā is regarded as the cause of inference. Some define pakṣatā as sādhyasaṃśaya. Some others define pakṣatā as siṣādhayiṣāvirahaviśiṣtasiddhyabhāvaḥ. A detailed analysis of all these issues has been done by the author in this book.
মহামনিষী জগন্নাথ তর্কপঞ্চানন (Mahamanisi Jagannath Tarkapanchanan)
This is a short biography of Jagannatha Tarkapancanan written by Alok Kumar Chakravarti. This biography locates Jagannatha in the larger context of Sanskrit Studies in Bengal during the colonial period. His scholarship on different aspects of Hindu society, especially on the Smriti sastra has been explained in detail.
BROWSE BY LANGUAGE
Rain in Indian Life and Lore
Rain in Indian Life and Lore is a collection of essays edited by Sankar Sen Gupta. All the essays contain descriptions of folk songs, and folk rituals that one finds in different parts of Indian society through the ages. Since the Vedic time till modern poets like Rabindranath rain has been a source of different kinds of emotions. The essays in the present collection engage in deciphering some of these thoughts.
Mudrarakshasam
Mudrarakshasam is translation, both in Bengali and English, of the drama Mudrarakshasam has originally written in Sanskrit by Visakhadatta. Bidhubhsan Goswami, in his introduction, presents a brief analysis of the special characteristics of the drama. All the seven cantos are presented in original Sanskrit along with their translation.
Philosophy, Logic and Language
This book by Kalidas Bhattacharyya is a collection of essays on different topics. However, the first seven essays and the eleventh one do have a thematic unity. They are in one way or another linked to the questions regarding the nature and method of philosophy – a theme that we find often in the writings of Kalidas Bhattacharyya. Essays 1 to 5 and essay 6 are directly concerned with the role of language and logic in philosophical reflections. He touches upon Logical Positivism and Analytical Philosophy in this regard.
The other key issue that Bhattacharyya considers here is the nature of Self. In particular, Bhattacharyya has been keen on exploring the nature of the self we refer to by the pronoun “I” and its relation to the other selves.
The concept of God also finds its place in two of his essays here. Bhattacharyya also discusses the problem of freedom in almost all the essays, in particular the ones on self. One interesting yet rather divergent topic that is discussed by Bhattacharyya is the idea of the Given and its Appearance. Two essays are on specific philosophers – one on Rabindranath Tagore and another on Basanta Kumar Mallik.
The Essays are:
- Is Philosophy Linguistic Analysis
- The Business of Philosophy
- Language, Logic and Fact
- Objective Attitude and Idealism Proper
- Thought and its Validity
- The Given and its Appearance
- The Nature of Reflection in Metaphysics
- Modern Psychology and Hindu Thought
- Self and Others
- The Concept of Self in Buddhism
- Formal and Actual Freedom
- Approaches to Spiritual Life
- Studies in Ethical Theory
- A Modern Defense of Orthodoxy
- Rabindranath on Religion
- An Aspect of Mallik’s Philosophy
- Classical Philosophies of India and the West
- An Outline of Indian Philosophy
On the Dramatic System of The Hindus
Of the Dramatic System of the Hindus is a short treatise on the salient features of classical Sanskrit Drama. Horace Hayman Wilson divides the book into eight chapters starting with a description of the authorities of the Hindu dramatic system and ending with a description of the scientific apparatus.
Sanskrit Poetics as a Study of Aesthetic
Sanskrit Poetics as a Study of Aesthetics is a collection of lectures given by S.K.De at the University of Chicago. The book contains five chapters called 1. Introduction, 2. The Problem of Poetic Expression, 3. The Poetic Imagination, 4. Aesthetic Enjoyment and 5. Creation and Recreation. All these chapters deal with different aspects of classical Sanskrit aesthetic theories.