Navya Nyāya Scholarship in Nabadwip Archive Collection/ History of Nabadwip Scholarship, Cultural and Religious Movements/ Mrtyunjoy Mondal/ Nadiya Charcha / Amar Bharati / Publication:2014/ Number of pages: 517/
নদিয়া চর্চা (Nadiya Charcha)
The present work is a collection of essays on the history of Nadia. The book is divided into four chapters. The first chapter contains essays on the historical and archaeological importance of Nadia. The second chapter consists of articles focussing on the local religious, political and cultural events in Nadia. The third chapter consists of essays focussing on the sports events and cultural events in Nadia. The last chapter has essays referring to the debate concerning the birthplace of Chaitanyadeva.
| System |
– |
|---|---|
| Publication Category |
Navya-Nyāya Scholarship in Nabadwip |
| Publication Author | |
| Added Author |
Mandal, Mrtyunjaya $e Editor |
| Publication Language |
Bengali |
| Publisher Name |
Amar Bharati |
| Publication Place |
Calcutta |
| Publication Year |
2014 |
| No. of Pages |
517 |
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In this book Jagadśa undertakes a study of the concept of pakṣatā. Pakṣatā is regarded as the cause of inference. Some define pakṣatā as sādhyasaṃśaya. Some others define pakṣatā as siṣādhayiṣāvirahaviśiṣtasiddhyabhāvaḥ. A detailed analysis of all these issues has been done by the author in this book.
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The third volume of Śabdaśaktiprakāśikā contains an analysis of samāsa. The book starts with a presentation and analysis of the definition of samāsa in general. Jagadīśa distinguishes nitya samāsa from anitya samāsa. The present work contains an analysis of six kinds of samāsa, viz, 1. Dvigu, 2. Tatpuruṣa, 3. Avyaībhāva, 4. Bahubrīhi, 5. Dvandva. The author accepts another samāsa viz. Upapada. The Grammarians hold that the vigraha vākya and the samasta vākya do not have the same śakti and so the nature of understanding the meaning of the vigraha vākya does not amount to understanding the meaning of the samāsa. Jagadīśa refutes this view of the Grammarian and argues that both the vigraha vākya and the samāsa do possess the same meaning. While the traditional Pāṇinian grammar includes karmadhārāya samāsa in tatpuruṣa samāsa and dvigu samāsa in karmadhāraya samāsa, the Katantra Grammar includes dvigu samāsa in tatpuruṣa samāsa. Jagadīśa intervenes in this debate and holds that karmadhāraya and dvigu are independent samāsas and so he thinks that there are six kinds of samāsas viz. tatpuruṣa, avyaībhāva, bahubrīhi, dvandva, karmadhārāya and dvigu. In this book one finds a detailed analysis of all these six kinds of samāsa. Even if Jagadīśa does not accept upapada samāsa as an independent samāsa, still he offers an analysis of upapada samāsa on behalf of those who accept upapada samāsa.
अनुमितेमानसत्त्वबिचाररहस्यम् (Anumiter Mānasatvavicārarahasyam)
Harirama Tarkavagisa, in this book, examines the proposal that inference could be subsumed under supersensual perception as accepted in Nyāya. Harirama argues that not all cases of inference could be so explained. He imagines all sorts of possible objections to the view that inference, really speaking, is a kind of perception and refutes all these, defending the thesis that inference is to be regarded as an independent source of knowledge.
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This book is a collection of essays on varieties of aspects of life in Nadia, presently a district in West Bengal, India. Since once upon a time Navadvipa was the main centre of Nadia, and later Krisnanagar became the capital from where the ruler ruled his kingdom including Navadvipa, much of the history of Navadvipa is closely associated with the history of Nadia. This book is divided into five chapters. In the first chapter, the essays focus on the different archaeological sites found in Nadia and bring to light their historical importance. The second chapter focuses on the rivers, waterways and road transport of Nadia. In the third chapter, the essays highlight the importance of the local festivals and the contribution of logical artisans with special reference to weavers. The essays in the fourth chapter take note of the contribution of the musicians and theatre personalities of Nadia. The book ends with a chapter containing articles on different religious and political movements that took place in Nadia.
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The present book contains several essays on the history of Nadia. Some of the essays focus on the history and archaeological importance of Nadia. Some other essays focus on the cultural activities in Navadvipa. There are some other essays that describe the literacy and library in Nadia. Folk theaters (jātrā) and modern theaters in Nadia have also been talked about in some essays.