Navya Nyāya Scholarship in Navadvip Archive Collection/ Jagadīśa Tarkālaṃkār / Tarkāmṛta/ Mahopādhyāya Jiban Krishna Tarkatīrtha (Commentator)/ The Asiatic Society / Number of pages: 124/
तर्कामृत (Tarkāmṛta)
In this book, Jagadīśa Tarkalaṃkāra expounds on all the major issues that one finds in Navya-Nyāya. It is a compendium of Navya-Nyāya philosophy.
| System |
– |
|---|---|
| Publication Category |
Navya-Nyāya Scholarship in Nabadwip |
| Publication Author | |
| Added Author |
Mahopādhyāya Jiban Krishna $e Comm., Tarkatīrtha |
| Publication Language |
Sanskrit |
| Publisher Name |
The Asiatic Society |
| Publication Place |
Calcutta |
| Publication Year |
1974 |
| No. of Pages |
124 |
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History of Navya Nyāya in Mithilā
The present book is a detailed history of Navya-Nyāya scholarship in Mithilā, located in the state of Bihar, India. Of the two main centres of Navya-Nyāya, Mithilā is well-known for being the birthplace of Gaṅgeśa, the originator of Navya-Nyāya. The book has six chapters: 1. Udayanācarya: his predecessors and successors, 2. Pre-Gaṅgeśa writers, 3. Gaṅgeśa Upādhyaya and his son Vardhamāna, 4. The age of expansion, 5. The age of four M’s and 6. Modern scholarship. The author presents brief life-sketches and brief descriptions of the works of these philosophers.
प्रामाण्यवाद: (Prāmāṇyavādaḥ)
The original text of Gaṅgeśa, called Tattvacintāmaṇi, has been commented on by both Raghunātha Śiromaṇi and Gadāhara Bhattācārya. If knowledge is gained through the ways of knowing, then the very nature of knowledge rests on the nature and veridicality of these recognised ways of knowing. An examination of the veridicality of the ways of knowing is known as pārāmānya. In this book, both Raghunātha and Jagadīśa offer a detailed analysis of the debate concerning the nature and veridicality of the very idea of pramāṇa.
ध्ब्मसजन्यभावयो: कार्यकारणभावरहस्यम् (Dhvaṃsa- Janyabhāvayoḥ Kārya-Kāraṇabhāvarahasyam)
In this essay, Harirama Tarkavagisa undertakes an analysis of the nature of the causal relationship between a positive effect and destruction. The author examines the nature of the inference viz. Dhvaṃsa is due to vināśa. If one takes into consideration this inference, there must be a hetu here and the hetu could be said to have an upadhi viz. Bhāvatva. Harirama, in this context, presents different ways of formulating the causal relation. The author ends this essay by concluding that the positive effect (janyabhāva) could be said to be the cause of destruction (dhvaṃsa) through the relation of pratiyogitva.
शब्दशक्तिप्रकाशिका (Śabdaśaktiprakāśikā (Vol-1))
Śabdaśaktiprakāśikā is an important text written by Jagadīśa Tarkālaṃkāra containing an analysis of śabda pramāna following the Navya-Nyāya tradition. This work is a defence of many of the theses of Gaṅgeśa, the author of Tattvacintāmaṇi. In many places, the views of Bhatṛhari and Srīpatidatta, the author of Kalapa-pariśiṣta, have been critically assessed and defended. The author offers a detailed analysis of how the knowledge of the meaning of a sentence is generated through the presence of the elements like ākāṁṣkā, yogyatā and āsatti. Since the meaning of a word is defined in terms of śakti, a question arises with regard to the locus of śakti. Bhāṭṭa Mīmāṁsakas hold that śakti stays in the universal. Jagadīśa refutes this thesis of the Mīmāṁsakas. The author also refutes the thesis that the locus of śakti is the individual object, a view that is propagated by Raghunātha Śiromaṇi. Jagadīśa defends the view that combines both the insights that the locus of śakti is the individual object and the locus of śakti is the universal. In this book, Jagadīśa presents an analysis of the nature of lakṣanā. In this work we also find an analysis of how ākaṁkṣā, yogyatā and āsatti could be treated as the cause of understanding the meaning of a sentence. Jagadīśa, however, refutes the view that the knowledge of tātparya is the cause of understanding the meaning of a sentence, instead proposes the view that prakaraṇajñāna is the cause of understanding the meaning of a sentence. Thus in the present work the author, after defending śabdapramāṇa as an independent pramāṇa, offers his analysis of the ways of generating linguistic understanding.
क्रोड्पत्त्रसंग्रहः (Krodapattrasangraha or Critical Notes)
This book is a collection of short essays by Kāliśankara Siddhāntavāgīsa on different issues in Navya-Nyāya. The essays in the present collection include discourses on Gadādhara’s theory of Prāmāṇya, 2. Gadādhara’s theory of Anumāna, 3. On Vyāptipañcaka, 4. On Siṅhavyāghralakṣaṇa, 5. Gadādhara’s theory of Vyādhikaraṇa, 6. On the Siddhāntalakṣaṇa, 7. Gadādhara’s theory of Anugama of Vyāpti, 8. Gadādhara’s theory of Pakṣatā, 10. Gadādhara’s theory of Avayava, 11. Gadādhara’s theory of Sāmānyanirukti, 12. On Savyabhicara, 13. On Sādharaṇa, 14. On Asādharaṇa and 15. On Satpratipakṣa.
নদিয়ার সংস্কৃতি চর্চা (Nadiyar Samskriti Carca)
The present book contains several essays on the history of Nadia. Some of the essays focus on the history and archaeological importance of Nadia. Some other essays focus on the cultural activities in Navadvipa. There are some other essays that describe the literacy and library in Nadia. Folk theaters (jātrā) and modern theaters in Nadia have also been talked about in some essays.
Gādādhari Volume-2
মহামনিষী জগন্নাথ তর্কপঞ্চানন (Mahamanisi Jagannath Tarkapanchanan)
This is a short biography of Jagannatha Tarkapancanan written by Alok Kumar Chakravarti. This biography locates Jagannatha in the larger context of Sanskrit Studies in Bengal during the colonial period. His scholarship on different aspects of Hindu society, especially on the Smriti sastra has been explained in detail.
সংস্কৃত কলেজ পত্রিকা (Sanskrit College Patrika)
প্রস্থানভেদঃ (Prasthānaveda)
The present work is a commentary by Madhusudana Saraswati on a part of Śivamahimāstotra (Hymns to the glory of Śiva) written by Puṣpadanta. In this commentary, Madhusudana talks about eighteen disciplines of knowledge. All the āstika and nāstika systems of knowledge could be included in the eighteen disciplines and all these systems of knowledge, either directly or indirectly, aimed at determining the nature of god. According to Madhusudana, even the philosophy of art written by Bharata aims at worshiping god. Madhusudana argues that one could talk about three fundamental prasthānas viz. ārambhavāda, parināmavāda and vivartavāda. We start our intellectual journey from ārambhavāda and then through pariṇāmavāda reach vivartavāda. It is only in vivartavāda that one realizes that the world is a vivarta of Brahmaṇ. The varieties of prasthānas have been created only to cater to the needs of people of various inclinations.
