Navya Nyāya Scholarship in Nabadwip Archive Collection/ Dr. Alok Kumar Chakraborty/ Mahamanisi Jagannath Tarkapanchanan/ Progressive Book Foram / Number of pages: 75/
মহামনিষী জগন্নাথ তর্কপঞ্চানন (Mahamanisi Jagannath Tarkapanchanan)
This is a short biography of Jagannatha Tarkapancanan written by Alok Kumar Chakravarti. This biography locates Jagannatha in the larger context of Sanskrit Studies in Bengal during the colonial period. His scholarship on different aspects of Hindu society, especially on the Smriti sastra has been explained in detail.
| System |
– |
|---|---|
| Publication Category |
Navya-Nyāya Scholarship in Nabadwip |
| Publication Author | |
| Publication Language |
Bengali |
| Publisher Name |
Progressive Book Forum |
| Publication Place |
Calcutta |
| Publication Year |
1394BC |
| No. of Pages |
75 |
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प्रामाण्यवाद: (Prāmāṇyavādaḥ)
In this book, Harirama Tarkavagisa critically assesses the Mīmāṃśa theory of self-luminosity of knowledge. According to Prabhākara, the knower, the object of knowledge and the knowledge itself are apprehended in one go. The Bhaṭṭa Mīmāṃsakas hold that knowledge is inferred through a property called knownness. Murāri Miśra, another Mīmāṃsaka philosopher, holds that knowledge is known in a subsequent knowledge called introspection. Harirāma, following the footsteps of Gaṅgeśa, argues that since sometimes doubt regarding the validity of knowledge arises in the third moment after the origin of knowledge, the validity of the knowledge is apprehended by something other than the totality of the causal conditions of that knowledge. Harirama further argues that there is something wrong with the thesis that knowledge is self-luminious.
सिद्धान्तलक्षणम् (Siddhānta Lakṣaṇam)
The final definition of vyāpti, known as siddhāntalakṣaṇa, has been explained by Jagadīśa in this work. The final definition of vyāpti is: where pratiyogyasāmānadhikaraṇya tāsāmānādhikaraṇatyantābhāvāpratiyogitāvacchedakabhacchinam does not hold, their vyāpti stays in the same locus. Raghunātha Śiromaṇi comments on this definition of vyāpti. Jagadīṣa further explains this final definition of vyāpti.
নদিয়ার সংস্কৃতি চর্চা (Nadiyar Samskriti Carca)
The present book contains several essays on the history of Nadia. Some of the essays focus on the history and archaeological importance of Nadia. Some other essays focus on the cultural activities in Navadvipa. There are some other essays that describe the literacy and library in Nadia. Folk theaters (jātrā) and modern theaters in Nadia have also been talked about in some essays.
क्रोड्पत्त्रसंग्रहः (Krodapattrasangraha or Critical Notes)
This book is a collection of short essays by Kāliśankara Siddhāntavāgīsa on different issues in Navya-Nyāya. The essays in the present collection include discourses on Gadādhara’s theory of Prāmāṇya, 2. Gadādhara’s theory of Anumāna, 3. On Vyāptipañcaka, 4. On Siṅhavyāghralakṣaṇa, 5. Gadādhara’s theory of Vyādhikaraṇa, 6. On the Siddhāntalakṣaṇa, 7. Gadādhara’s theory of Anugama of Vyāpti, 8. Gadādhara’s theory of Pakṣatā, 10. Gadādhara’s theory of Avayava, 11. Gadādhara’s theory of Sāmānyanirukti, 12. On Savyabhicara, 13. On Sādharaṇa, 14. On Asādharaṇa and 15. On Satpratipakṣa.
নবদ্বীপের ইতিহাস ও সংস্কৃতি (Navadviper Itihas O Samskriti)
This work is a historical study of Navadvipa. The present work consists of eleven chapters. The first chapter serves as an introduction to the history of Navadvipa. The second chapter devotes itself to the geographical location of Navadvipa. The third chapter takes note of the Buddhist influence. In the fourth chapter, there is a survey of historical studies done on Navadvipa. The cultural movements in Navadvipa constitute the fifth chapter. The history of old temples and monasteries in Navadvipa is the focus of the sixth chapter. The rule of Krishnachandra is the point of discussion in the seventh chapter. The eighth chapter describes the education scenario in Navadvipa. The debate concerning the birthplace of Chaitanya Deva forms the major part of the discussion in the ninth chapter. In the tenth chapter, one finds a description of crematoriums and graveyards in Navadvipa. The last chapter refers to some historical studies on Navadvipa already done. This book contains some ancient maps and pictures of the old temples of Navadvipa.
নবদ্বীপ মহিমা (Nabadwip Mahima)
This book is perhaps the first attempt to portray the detailed history of Navadvipa. The author starts the discourse with the history of the name ‘Navadvipa’ along with a description of the relation of Navadvipa to the rest of Bengal during the ancient period. The second part of the book contains a detailed description of the scholars of Navadvipa who worked on Navya-Nyāya, Smṛti, and Tantra. In the third chapter, one finds an elaborate presentation of Sri Chaitanya’s biography along with a discussion on Vaishnava religion. Since Navadvipa was ruled by the king of Krishnagar for a long time, there is a discussion on the rulers of Krishnagar, their contribution to the Navadvipa scholarship as patrons. The author also adds a discussion on the famous musicians, eminent persons trained in English education and business persons of Navadvipa.
প্রস্থানভেদঃ (Prasthānaveda)
The present work is a commentary by Madhusudana Saraswati on a part of Śivamahimāstotra (Hymns to the glory of Śiva) written by Puṣpadanta. In this commentary, Madhusudana talks about eighteen disciplines of knowledge. All the āstika and nāstika systems of knowledge could be included in the eighteen disciplines and all these systems of knowledge, either directly or indirectly, aimed at determining the nature of god. According to Madhusudana, even the philosophy of art written by Bharata aims at worshiping god. Madhusudana argues that one could talk about three fundamental prasthānas viz. ārambhavāda, parināmavāda and vivartavāda. We start our intellectual journey from ārambhavāda and then through pariṇāmavāda reach vivartavāda. It is only in vivartavāda that one realizes that the world is a vivarta of Brahmaṇ. The varieties of prasthānas have been created only to cater to the needs of people of various inclinations.
