Navya Nyāya Scholarship in Nabadwip Archive Collection/ JagadīśaTarkālaṃkāra/ Avacchedakattvaniruktiḥ/ Dattātreya Śāstri Ogale (Commentator)/ Swāmī Dharmānanda Mahābhāga (Editor)/ Chaukhambha Sanskrit Sansthan / Publication:2007/ The Kashi Sanskrit Series 203/ Number of pages: 160/
अवच्छेदकत्वनिरुक्ति: (Avacchedakattvaniruktiḥ)
In this book, Jagadīśa offers commentary on the nature of vyāpti as mentioned by Raghunatha Śiromaṇī in his Didhīti. Jagadīśa talks about two kinds of vyāpakatva in great detail. In this context, Jagadīśa alludes to the concept of avacchedakata and explains these allaying all the possible questions that one could raise in this context.
| System |
Nyāya |
|---|---|
| Publication Category |
Navya-Nyāya Scholarship in Nabadwip |
| Publication Author | |
| Added Author |
Dattātreya Śāstrī $e Comm.; Mahābhāga, Ogale, Swāmī Dharmānanda $e Editor |
| Publication Language |
Sanskrit |
| Edition |
First |
| Publisher Name |
Chaukhambha Sanskrit Sansthan |
| Publication Place |
Varanasi |
| Publication Year |
2007 |
| No. of Pages |
162 |
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The present work is a collection of essays on the history of Nadia. The book is divided into four chapters. The first chapter contains essays on the historical and archaeological importance of Nadia. The second chapter consists of articles focussing on the local religious, political and cultural events in Nadia. The third chapter consists of essays focussing on the sports events and cultural events in Nadia. The last chapter has essays referring to the debate concerning the birthplace of Chaitanyadeva.
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This is a prakaraṇa text on the Nyāya theory of vyāpti written by Jagadīśa. The main theme of the work centres around the nature of vyāpti.Knowledge of vyāpti is the cause of inferential knowledge. If the definition of vyāpti is constructed in terms of avyābhicāritatva, then one could explain avyābhicāritatva in five alternative ways. And none of these alternatives is acceptable, for this understanding of vyāpti would fail to account for kevalānvayi inference. In order to remove this problem, the definition of vyāpti is reconstructed as pratiyogivṛttidharmāvacchinna-pratiyogitākabhāvarupa vyādhikaraṇadharmāvacchinnabhāva. Jagadīśa examines this new definition of vyāpti and offers his justification, refuting all the possible objections.
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This book is an essay on Nyāya theory of liberation. Harirāma Tarkavāgīśa, in this book, critically assesses the generally accepted definition of liberation as permanent (ātyantika) cessation (nivṛtti) of suffering (duhkha). The debate revolves around explaining the terms like ‘atyanta’ and ‘nivṛtti’. Harirama argues that the widely accepted understanding of these words fails to cover all the different kinds of liberation that philosophers talk about. Harirama proposes to describe liberation as the destruction of final suffering and the idea of finality could be understood as a universal inhering in suffering. Harirama argues that if knowledge of reality is to be regarded as the cause of liberation, then liberation is to be regarded as the permanent post-negation of sin and not of misery.
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The present book contains several essays on the history of Nadia. Some of the essays focus on the history and archaeological importance of Nadia. Some other essays focus on the cultural activities in Navadvipa. There are some other essays that describe the literacy and library in Nadia. Folk theaters (jātrā) and modern theaters in Nadia have also been talked about in some essays.
क्रोड्पत्त्रसंग्रहः (Krodapattrasangraha or Critical Notes)
This book is a collection of short essays by Kāliśankara Siddhāntavāgīsa on different issues in Navya-Nyāya. The essays in the present collection include discourses on Gadādhara’s theory of Prāmāṇya, 2. Gadādhara’s theory of Anumāna, 3. On Vyāptipañcaka, 4. On Siṅhavyāghralakṣaṇa, 5. Gadādhara’s theory of Vyādhikaraṇa, 6. On the Siddhāntalakṣaṇa, 7. Gadādhara’s theory of Anugama of Vyāpti, 8. Gadādhara’s theory of Pakṣatā, 10. Gadādhara’s theory of Avayava, 11. Gadādhara’s theory of Sāmānyanirukti, 12. On Savyabhicara, 13. On Sādharaṇa, 14. On Asādharaṇa and 15. On Satpratipakṣa.
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The present work is a commentary by Madhusudana Saraswati on a part of Śivamahimāstotra (Hymns to the glory of Śiva) written by Puṣpadanta. In this commentary, Madhusudana talks about eighteen disciplines of knowledge. All the āstika and nāstika systems of knowledge could be included in the eighteen disciplines and all these systems of knowledge, either directly or indirectly, aimed at determining the nature of god. According to Madhusudana, even the philosophy of art written by Bharata aims at worshiping god. Madhusudana argues that one could talk about three fundamental prasthānas viz. ārambhavāda, parināmavāda and vivartavāda. We start our intellectual journey from ārambhavāda and then through pariṇāmavāda reach vivartavāda. It is only in vivartavāda that one realizes that the world is a vivarta of Brahmaṇ. The varieties of prasthānas have been created only to cater to the needs of people of various inclinations.
নদিয়ার ইতিহাস- চর্চা (Nadiyar Itihas Carca)
This book is a collection of essays on varieties of aspects of life in Nadia, presently a district in West Bengal, India. Since once upon a time Navadvipa was the main centre of Nadia, and later Krisnanagar became the capital from where the ruler ruled his kingdom including Navadvipa, much of the history of Navadvipa is closely associated with the history of Nadia. This book is divided into five chapters. In the first chapter, the essays focus on the different archaeological sites found in Nadia and bring to light their historical importance. The second chapter focuses on the rivers, waterways and road transport of Nadia. In the third chapter, the essays highlight the importance of the local festivals and the contribution of logical artisans with special reference to weavers. The essays in the fourth chapter take note of the contribution of the musicians and theatre personalities of Nadia. The book ends with a chapter containing articles on different religious and political movements that took place in Nadia.
