Showing 31–45 of 45 results

Sāhitya Darpana साहित्यदर्पन्

Sahityadarpana is a classic Sanskrit work on aesthetics. This book, originally written by Viśvanātha Kavirāja, contains a commentary by Rāmcharana Tarkavāgīśa Bhattacharya.

Samskrita Ravindram संस्कृत रबीन्दम्

Samskrita Ravindram is a collection of Sanskrit renderings of excerpts from Rabindranath Tagore’s poem, drama and essay. The collection is edited by V. Raghavan and the foreword is written by S. Radhakrishnan.

Śāṅkhāyana-Brāhmaṇaṃ शाङ्खायन् ब्राह्मणम्

Śāṅkhāyana-Brāhmaṇaṃ is a Bengali translation and explanation of the original Sanskrit text Śāṅkhāyana-Brāhmaṇaṃ. The translation describes the different kinds of rituals as prescribed in the Vedic literature. The translation is done by Harinarayan Bhattacharya.

Sāraswata-Śatakam (Citra-Kavyam) सारस्बत – शतकम

Saraswatakam is a chitrakāvya written by Srijiva Nyāyātirtha. The genre of Chitrakāvya is a unique example of the marriage of literature and picture. In this work, the letters are written and the consequent verses are composed in such a manner, that a specific picture arises in the mind of the reader. The author composed the verses expressing different emotions and gave corresponding drawings containing the alphabet that the verses contain.

Smṛti Sandarbhaḥ (Volume-2) स्मृति सन्दर्भ: (द्बितीय भाग)

Smṛti Sandarbhaḥ (editor’s name not mentioned) is a collection of Smṛti texts including Parasara Smṛti etc.

Smṛti Sandarbhaḥ (Volume-3) स्मृति सन्दर्भ: ( तृतीय भाग)

Smṛti Sandarbhaḥ (part III) is a collection of some important parts of different Smṛtiśāstras. The salient parts from different Smṛtiśāstras like Yajnyavalkyasmrti, Katyanasmrti, Apastambasmrti, Likhitasnrti Ausanasasamhita etc. have been collected in this book.

Smṛti Sandarbhaḥ (Volume-4) स्मृति सन्दर्भ: (चतुर्थो भाग)

Smṛtisandharvaḥ (part IV) is a collection of some important parts of different Smṛtiśāstras. The book focuses on three major issues viz. manner (ācāra), social law (vyāvahāra) and repentance (tapasyā). Excerpts from the important Smṛtiśāstras in their original Sanskrit, like Gautamasmrti, Yamasmrti, Arunasmrti, Pulastyasmrti, Vasisthasmrti etc. dealing with these three topics have been published in this book.

Smṛticintāmaṇiḥ স্মৃতিচিন্তামনি:

Smrticintamanih is a work on Smrti describing the rituals prescribed by different Smrtisastras on different occasions in human life. The book is written by Haridas Siddhantavagisa.

Suryaprabha kimba Vaibhava Pisacah सुर्य्यप्रभा किंबा बैभब् पिशाच्:

Suryaprabha or Vaibhavapisacah is a story written by Srinivas Śāstri in Sanskrit. The main storyline of the book is how different mundane pleasures like wealth, house, gold etc, mislead the human in the attainment of his ultimate goal, viz. spiritual emancipation.

Swapnavasavadattam

Svapnavasavadattam is an English rendering of the drama Svapnavasavadattam written by Bhasa. Saradaranjan Ray has added his own Sanskrit commentary along with a Bengali translation of the original text. In the introduction, the translator offers an analysis of the features of the literary contribution of Bhasa.

The Brhama Puraṇam (Volume-2) ब्रह्मपुराणम् (द्बितीय भाग)

Brahmapurāṇam contains the entire text of Brahmapurāṇa in the original Sanskrit language. Of all the Puranas, Brahmapurāṇa is one of the most important ones.

The Constitution of India

This book entitled Mulam Sanskritam, (author unknown) presents the role and significance of Sanskrit in the Indian education system.

The Rasaganngādhara रसगङ्गाधर:

Rasagangadhara is working on Sanskrit aesthetics written by Jagannātha paṇḍit. This book also contains the commentaries of Nagesabhatta and Mathuranatha Shastri.

Uttarakurukṣetram उत्तरकुरुक्षेत्रम्

Uttarakurukṣetram is a drama written by Viśveśvara Vidyābhūṣaṇa based on the events in Mahābharata. The author laments over the degeneration in the social life of post-independent India and recreates the events that followed the war of Kurukṣetra.

Vālmīki – Samvardhanam वाल्मीकि-संवर्द्धनम

Vālmīki-Samvardhanam is a drama written by Viśveśvara Vidyābhūṣaṇa. The main storyline centres around how Ratnakar, the thief, turned into the sage Vālmīki.