A History of Sanskrit Literature सारस्बत – शतकम

A History of Sanskrit Literature by Arthur A. Macdonell is one of the earliest accounts of the History of Sanskrit Literature published in Europe. The book consists of sixteen chapters other than Bibliographical Notes and Index. The chapters focus on the life and thoughts of Ancient India as they appear in classical Sanskrit literature.

A New Approach to Sanskrit

A New Approach to Sanskrit by V.P.Bokil and N.R.Parasnis offers a detailed presentation of the methods of teaching Sanskrit in colleges. There are eleven chapters and Appendices all focussing on the principles of language teaching as applied to Sanskrit, formulating the syllabus and recommending the textbooks, the role of Sanskrit teachers, types of lessons etc.

A Short Analysis of the Contents of the Kāvyaprakāśa

A Short Analysis of the Contents of The Kavyaprakasa by Amareswar Thakur offers a summary of all the chapters of the Sanskrit text Kāvyaprakāśa. The book contains ten chapters starting with the definition of kavya and ending with the nature and types of ālaṅkāra.

An Introduction to The Mind and Art of Kālidās and Bhavabhūti

An Introduction to the Mind and Art of Kalidas and Bhavabhuti is a short introduction to the study of love as a sentiment and its literary expression as one finds in the works of Kalidasa and Bhavabhuti. Guruprasanna Bhattacharya, the author of the book, concludes that Kalidas is an ideal poet of nature and Bhavabhuti is an ideal port of the human mind.

An Introdution to Classical Sanskrit

An Introduction to Classical Sanskrit is a brief introduction to classical Sanskrit Literature. The book, authored by Gaurinatha Shastri, contains twenty-two chapters other than an Appendix. All the different chapters highlight the contribution of Ancient Indians in the fields like philosophy, literature, science etc. The Appendix describes the status of Sanskrit studies in Europe.

Ancient Indian Erotics and Erotic Literature

Ancient Indian Erotics and Erotic Literature by Sushil Kumar De is a work on the nature of erotic literature in ancient India. The book consists of chapters: 1. Treatment of Love in Pre-Classical Literature, 2. Treatment of Love in Classical Poetry and 3. Treatment of Love in Prose Romance and Drama. The book ends with a chapter on Ancient Indian Erotics (Kama-Sastra).

Banbhatta’s Kadambari

Kadambari is an English rendering and explanation of one part of Kadambari viz. Sukanasopadesa. The book edited and translated by Kumudranjan Ray starts with a brief description of the main storyline of Kadambari preceded by a short biography of Banabhatta, the author of Kadambari.

Bhatti-Kavyam (Canto-XII)

Bhattikavyam is a Bengali rendering along with explanatory notes in English of the twelfth canto of Bhattikavyam written by Bhartṛihari. Saradaranjan Ray, the translator and editor of the book, has added Mallinatha’s commentary to it. In the introduction, the editor/translator offers a brief analysis of the time and the significance of Bhattikavya.

Bhaṭṭikāvya ( Rāvanvadha) (Canto- II)

Bhattikāvya is an edition of the original work written by Bhatti. This work is considered as a grammatical poem with the aim of illustrating the sutras of Panini. The editors of the book, Ashoknath Shastri and Maheswar Das have added explanatory notes in Sanskrit and English.

Charudattam

Charudattam is a Bengali translation of the drama Charudatta written by Bhāsa. This edition also contains explanatory notes by Kumudranjan Ray in English. The introduction deals with the significance of the dramas of Bhasa in general and Charudattam in particular.

Contemporary Indian Literature

Contemporary Indian Literature is a volume published by Sahitya Akademy, New Delhi. The book contains articles presenting some of the major works done in Indian Languages. The article by Dr. V. Raghavan focuses on the contribution of writers who wrote in Sanskrit.

Harshacharita हर्षचरित

Harshacharita is an English rendering of the first canto of Harshacharita of Banabhatta. The book contains a translation of explanatory notes on the first canto made by S. Viswanathan.

History of Sanskrit Poetics

History of Sanskrit Poetics is a detailed historical survey of Sanskrit literary theory. Sushil Kumar Dey, the author of the book, divides the work into two volumes. The first volume contains ten chapters starting with Bharata and ending with a discussion of some minor writers of Alankara. The second volume contains ten chapters starting  with Bhamaha and ending with a discussion of the writers of Kavi-śikṣā.

History of Sanskrit Poetics (by P. V. Kane)

History of Sanskrit Poetics by P.V.Kane is a historical survey of Sanskrit Poetics. The book is divided into two parts. The first part consists of thirty-nine chapters where the author presents the main contents of the major world in Sanskrit Poetics. The second part contains sixteen chapters where one finds a brief survey of the main theories in this field showing how these different literary theories evolved in the course of history.

Hymns To The Mystic Fire

Hymns to the Mystic Fire is a novel interpretation of the Vedic hymns by Sri Aurobindo. This book contains some of the original  Sanskrit hymns with their translations and comments by Sri Aurobindo. These translations clearly show the esoteric understanding of the Vedic insights.

Kiratarjunuyam (Canto-II)

Kiratarjuniyam  is an English rendering and explanation of the second canto of Kiratarjuniyam written by Bharavi. Saradaranjan Ray, the editor of the book, has added Mallinatha’s commentary along with its translation in English. The book also contains a Bengali translation of the second canto of the original Sanskrit text.

Mudrarakshasam

Mudrarakshasam  is translation, both in Bengali and English, of the drama Mudrarakshasam has originally written in Sanskrit by Visakhadatta. Bidhubhsan Goswami, in his introduction, presents a brief analysis of the special characteristics of the drama. All the seven cantos are presented in original Sanskrit along with their translation.

Nāgānanda

Nāgānanda is an English translation along with explanatory notes on the drama Nāgānanda written by Harshadev. Asha Toraskar and N.A.Deshpande, editors and translators, offer a brief analysis of the contribution of Harshadeva in their introduction. A commentary written in Sanskrit,  on Nāgānanda, by M.R. Kale has also been added to this book.

On the Dramatic System of The Hindus

Of the Dramatic System of the Hindus is a short treatise on the salient features of classical Sanskrit Drama. Horace Hayman Wilson divides the book into eight chapters starting with a description of the authorities of the Hindu dramatic system and ending with a description of the scientific apparatus.

Pratijñāyaugandharāyaṇam प्रतिज्ञायॊगन्धरायण्म

Pratijñāyaugandharāyaṇam is an edition of the original Sanskrit drama thought to be written by Bhāsa. C.R.Devadhara edited this book with an English translation and explanatory notes.

Priyadarsika प्रियदर्शिका

Priyadarsika is an English rendering along with explanatory notes of the drama originally written by Sri Harsha. P.V.Ramanujaswami, the editor and translator of the book gives a brief history of classical Indian Dramaturgy in the introduction followed by the original text and explanatory notes.

Raghuvansam (Canto-VI) सारस्बत – शतकम

Raghuvansam is a Bengali translation of, along with explanatory notes in English on, the sixth canto of Raghuvansam written by Kalidasa. Mallinatha’s commentary on the relevant part has also been added by Haricharan Gangopadhyay and Ramgopala Bhattacharya who are the editors of the present volume.

Rain in Indian Life and Lore

Rain in Indian Life and Lore is a collection of essays edited by Sankar Sen Gupta. All the essays contain descriptions of folk songs, and folk rituals that one finds in different parts of Indian society through the ages. Since the Vedic time till modern poets like Rabindranath rain has been a source of different kinds of emotions. The essays in the present collection engage in deciphering some of these thoughts.

Ratnavali

Ratnavali is an edition of the drama originally written by Sri Harsha. This book is edited by Ashoknath Shastri and Maheswar Das. The book contains, other than the original Sanskrit text, explanatory notes in English.

Sanskrit Poetics as a Study of Aesthetic

Sanskrit Poetics as a Study of Aesthetics is a collection of lectures given by S.K.De at the University of Chicago. The book contains five chapters called 1. Introduction, 2. The Problem of Poetic Expression, 3. The Poetic Imagination, 4. Aesthetic Enjoyment and 5. Creation and Recreation. All these chapters deal with different aspects of classical Sanskrit aesthetic theories.

Shabda-Sagara (Comprehensive Sanskrit-English Lexicon)

Shabda - Sagara is one of the earliest Sanskrit-English dictionary compiled by Jibananda Vidyasagara.

Sir William Jones: Bicentenary of his Birth (Commemoration Volume 1746-1946)

Sir William Jones: Bicentenary of his Birth Commemoration Volume is a collection of essays published in the Bicentenary year of William Jones. There are nineteen essays all highlighting the contribution of William Jones. The book contains messages from all over the world extolling the contribution of Jones.

Swapnavasavadattam

Svapnavasavadattam is an English rendering of the drama Svapnavasavadattam written by Bhasa. Saradaranjan Ray has added his own Sanskrit commentary along with a Bengali translation of the original text. In the introduction, the translator offers an analysis of the features of the literary contribution of Bhasa.

The Meghadūta

Meghaduta is an edition of Meghaduta with the commentary of Mallinatha. The book contains detailed notes and explanations in English. This book is edited by M.R.Kale.

The Teaching of Sanskrit

The Teaching of Sanskrit by Raghunath Safaya is a book that describes the different principles and methods of teaching Sanskrit in schools and colleges. There are nineteen chapters and an appendix in the book. The chapters offer a detailed presentation of the importance of learning Sanskrit, the ways of formulating the syllabus of Sanskrit, the different methods of teaching Sanskrit, the ways of teaching Sanskrit prose and Sanskrit poetry, the importance of teaching pronunciation, the methods of teaching grammar, the method of evaluation etc.